Showing Records: 41 - 60 of 132
Experimentelle Literatur und Konkrete Poesie / Hartung, Harold ; Heissenbuttel H ; Holz A ; Stein G ; Gomringer E ; Bremer C ; Mon F ; Bayer K ; Jandl E., 1975
This is a brief survey of German language speaking concrete poetic works. -- Source of annotation: Marvin or Ruth Sackner.
Expoemas (1980-1985) [Deluxe Edition] / De Campos, Augusto., 1985
This deluxe edition is printed on heavier stock paper than the ordinary edition. -- Source of annotation: Marvin or Ruth Sackner.
Extended / Galerie 13 ; Kluge J ; Andryczuk H ; Lohr H ; Olbrich JO ; Deisler G ; Dencker KP ; Garnier I ; Garnier P ; Hill C ; Lipman J ; Mon F ; Nikonova R ; Noel A ; Padin C ; Riha K ; Zeller L ; Warnke U., 1994
Eye, No.13: Space Digest Today, 1985
The cabinet (artist box) was designed by Mark Foxman, the cover was designed by by David Horton and the typography was designed by Susan Quasha. The works are mostly photographic, non-verbal images. The editor, David Lee Strauss, on an interview, discusses how he wanted this issue to be concerned with the fourth dimension. However, except for Robert Bowen's photograph, "Flat Irony," a surrealistic image of the NYC Flat Iron Building floating in space Mark Jenkinson's night photograph of a Los Vegas scene, I did not find the rest of the contributions successful in this regard. -- Source of annotation: Marvin or Ruth Sackner.
formCard: to accompany the launch of Forty Fungi. No.40 / Harry Gilonis ; Cobbing B., 1995
Francisco Conz Prints on Fabric / Lax, Robert ; Gomringer, Eugen ; Higgins D., 1996
futura: 4 Texte. No.4 / Reinhard Dohl., 1965
The constellations presented in this broadside are mostly based on the theme of colors. -- Source of annotation: Marvin or Ruth Sackner.
futura: Permutierbarer Text. No.23 / Herman de Vries., 1967
Words constituting a constellation are printed horizontally, with each word in one of four different languages. These constellation are arranged at different angles across the surface such that the composition provides a visual impression of a contructivistic image. This work was loaned to the Museum of Modern Art NYC for their exhibition, "Eye on Europe: prints, books & mutiples 1960 to now." -- Source of annotation: Marvin or Ruth Sackner.
Green Island: Abstract Poem. / Robert Lax ; Emil Antonucci., 1973
Edited by David Kilburn. -- Source of annotation: Marvin or Ruth Sackner.
Green Island: Editorial Weather Forecast for the Soft Side of the World. / David Kilburn., 1969
Green Island: The Port Was Longing. / Robert Lax., 1984
A photograph from the bridge of a ship taken by David Kilburn is printed on the inside front cover and a poem by Lax is printed on the inside back cover. -- Source of annotation: Marvin or Ruth Sackner.
Happpppy Xyzmas 66 (051165) / Houedard, Dom Sylvester., 1966
This is the same piece as the two scrolls with the same title held by the Sackner Archive but flattened. -- Source of annotation: Marvin or Ruth Sackner.
Honey by the Water, 1973
The edition includes 1000 copies in paper wrappers, 200 copies numbered and signed by Finlay and 26 copies handbound in boards by Earle Gray lettered and signed by Finlay. Consists of a collection of previously published concrete poems and seven sundial drawings. Stephen Bann contributes an afterword of seven pages. In it, he describes Finlay's widespread usage of metaphor and calls attention to his current work based upon Classicism and Symbolism. -- Source of annotation: Marvin or Ruth Sackner.
Honey by the Water, 1973
The edition includes 1000 copies in paper wrappers, 200 copies numbered and signed by Finlay and 26 copies handbound in boards by Earle Gray lettered and signed by Finlay. Consists of a collection of previously published concrete poems and seven sundial drawings. Stephen Bann contributes an afterword of seven pages. In it, he describes Finlay's widespread usage of metaphor and calls attention to his current work based upon Classicism and Symbolism. -- Source of annotation: Marvin or Ruth Sackner.
Honey by the Water / Finlay, Ian Hamilton ; Bann S., 1973
The edition includes 1000 copies in paper wrappers, 200 copies numbered and signed by Finlay and 26 copies handbound in boards by Earle Gray lettered and signed by Finlay. Contains a collection of previously published concrete poems and seven sundial drawings. Stephen Bann contributes an afterword of seven pages. In it, he describes Finlay's widespread usage of metaphor and calls attention to his current work based upon Classicism and Symbolism. -- Source of annotation: Marvin or Ruth Sackner.
Idylls / Finlay, Ian Hamilton., 1990
This exhibition dealt with Finlay's sculptural objects. A work entitles "Rock Rose" that consisted of a concrete bowl filled with fishing net is reminiscent of Finlay's net collage in Furnival's book, Liber Amicorum 1964-1985 (4), a work held by the Sackner Archive. Stephen Bann contributed a critical introduction to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Imitations Variations Reflections Copies / Finlay, Ian Hamilton., 1976
The poems in this booket were composed in the style (as attributed by Finlay) to Gomringer, Aram Saroyan, Gael Turnbull and Lochac. -- Source of annotation: Marvin or Ruth Sackner.
Invencao (Apr. 10) / De Campos, Augusto, editor; Ricardo, Cassiano, editor; Pignatari, Decio, editor; Braga, Edgar, editor; De Campos, Haroldo, editor; Grunewald, Jose Lino, editor; Chamie M, editor; Xisto, Pedro, editor; daSilvaBrito M; Braga E; DeCampos H; Gomringer E., 1960
This is a page torn from the Sunday newspaper. -- Source of annotation: Marvin or Ruth Sackner.
Invencao (Apr. 24) / De Campos, Augusto, editor; Ricardo, Cassiano, editor; Pignatari, Decio, editor; Braga, Edgar, editor; De Campos, Haroldo, editor; Grunewald, Jose Lino, editor; Chamie M, editor; Xisto, Pedro, editor; daSilvaBrito M; Filho JM., 1960
This is a page torn from the Sunday newspaper. -- Source of annotation: Marvin or Ruth Sackner.